Details
Timmy Turner's latest film, "Second Thoughts." The project, two years in the making....
Second Thoughts makes it clear that Turner and friends' approach to travel is simple: Go hard. They take the typical Indo risk/reward calculus and multiply it exponentially. For the uninitiated here's the gist of what they do: They take a bemo from Jakarta - one of the most dangerous cities in the world - to a rickety Indo ferry. Then they pay local fisherman to transport them to an uninhabited island and drop them off with supplies so meagre that they fit on the tops of their surfboards. Next they paddle the stuff into shore where they ruin half of their provisions in the shorebreak. After that they set up camp near one of the most dangerous reefs in the world. Then they stay there, completely alone and put their lives on the line on every day in non-stop dredging barrels for a month at a time.
Their struggle just to provide themselves with food, shelter and water and somehow avoid serious infection or injury, so far away from any assistance, makes this film the first to definitely depict what "going feral" truly entails. "Second Thoughts" is the type of hardcore project that makes a show like "Survivor" look ridiculous and silly by comparison.
Despite the dark overtones, "Second Thoughts" is by no means depressing. Mostly this is due to Turner who directs the film and provides the voice over. Turner’s delivery is innocent, endearing and often hilarious. When he talks about the decision to slaughter a goat the crew brought to the island as an emergency source of food he says, "We tried not to get to know the goat real well in case we had to eat him." Timmy Turner is a guy who's lived an "Apocalypse Now" type story, but the experience hasn't turned him into Captain Kurtz.
The water photography in the film is revolutionary. Somehow Turner, Potter and Schwartz were able to take off on the grinding waves while holding video cameras in their hands. They then shot footage inside lightning fast barrels and were doing insane whip pans - filming the foamball behind them and then rapidly twisting forward to catch the lip as it cascaded over their heads. The barrels they shot from inside were so long that the typical slow-mo cameraboard shot was utterly unnecessary. Instead of the usual boring sequence where the action is slowed down that it takes forever for the lip to throw over, we watch from the perspective of the rider as he rifles through section after section, barely missing exposed coral heads on the terrifyingly shallow end section, in real time. If you want to show people who don't surf what it's like to get really tubed, show them this film.
---- Surfing Magazine
'This is as real as a surf film gets’
---- Transworld Surf
Second Thoughts makes it clear that Turner and friends' approach to travel is simple: Go hard. They take the typical Indo risk/reward calculus and multiply it exponentially. For the uninitiated here's the gist of what they do: They take a bemo from Jakarta - one of the most dangerous cities in the world - to a rickety Indo ferry. Then they pay local fisherman to transport them to an uninhabited island and drop them off with supplies so meagre that they fit on the tops of their surfboards. Next they paddle the stuff into shore where they ruin half of their provisions in the shorebreak. After that they set up camp near one of the most dangerous reefs in the world. Then they stay there, completely alone and put their lives on the line on every day in non-stop dredging barrels for a month at a time.
Their struggle just to provide themselves with food, shelter and water and somehow avoid serious infection or injury, so far away from any assistance, makes this film the first to definitely depict what "going feral" truly entails. "Second Thoughts" is the type of hardcore project that makes a show like "Survivor" look ridiculous and silly by comparison.
Despite the dark overtones, "Second Thoughts" is by no means depressing. Mostly this is due to Turner who directs the film and provides the voice over. Turner’s delivery is innocent, endearing and often hilarious. When he talks about the decision to slaughter a goat the crew brought to the island as an emergency source of food he says, "We tried not to get to know the goat real well in case we had to eat him." Timmy Turner is a guy who's lived an "Apocalypse Now" type story, but the experience hasn't turned him into Captain Kurtz.
The water photography in the film is revolutionary. Somehow Turner, Potter and Schwartz were able to take off on the grinding waves while holding video cameras in their hands. They then shot footage inside lightning fast barrels and were doing insane whip pans - filming the foamball behind them and then rapidly twisting forward to catch the lip as it cascaded over their heads. The barrels they shot from inside were so long that the typical slow-mo cameraboard shot was utterly unnecessary. Instead of the usual boring sequence where the action is slowed down that it takes forever for the lip to throw over, we watch from the perspective of the rider as he rifles through section after section, barely missing exposed coral heads on the terrifyingly shallow end section, in real time. If you want to show people who don't surf what it's like to get really tubed, show them this film.
---- Surfing Magazine
'This is as real as a surf film gets’
---- Transworld Surf
